作者： admin

Reveal the secret of Chen Feiyu Zhang Jingyi’s ＂Light Me, Warm You＂


Special feature of 1905 film network The audience of "into the pit" series, together with Zhu Yun (act the role of), started a long waiting time for Li Yun (act the role of) to get out of prison.


Undoubtedly, the drama has become one of the most concerned plays in the recent new drama, and the popularity of the broadcast platform has been continuously broken. The discussion of "Life Rhyme Encircles CP" rushed to the hot search with various topics.



On the one hand, the two actors have a strong adaptability to the characters in the drama. On the other hand, the whole story is put in a modern idol drama, which is sweet, but not bloody. In the atmosphere of the youth campus, the relationship between the characters is slowly promoted. This film and television not only ensures the atmosphere of the original work, but also visually enhances the drama logic that should have existed.


The screenwriter is one of the main contributors to the success of this film and television. It took him more than a year from reading the original novel to writing and devoting himself to the creation. "From 2019 to 2020, this novel is worth doing."


Screenwriter Zhou Yong


The last work that he spent so much time creating was the same medical drama "Thank You Doctor". Watching the two works broadcast almost at the same time, Zhou Yong laughed at himself in an exclusive interview with the 1905 film network, and watched the popularity of the two dramas go back and forth to the top every day. "This state is a kind of luck for the creators."



Even though Zhou Yong used to write naked wedding, Let’s not say I love you, Spring Breeze is not as good as you, and so on, now he has two works with different styles in hand, and he is creating. How can he grasp the essence of the works?


Light me up and warm you is not a sweet pet drama.


Looking through Zhou Yong’s past creative experience, many works are stories about young people’s love. So when the producer handed him the novel Lighter and Princess Dress, he didn’t have much interest at first.


There is always a turning point in a good-looking story. After reading the original novel, Zhou Yong was attracted by the particularly textured plot, and was also moved by the simple, persistent and two-way love between the characters.



"In addition to writing the process of youth growth, this novel can also see some realistic things, and see the sense of destiny of the growth of characters, the pain and broken feeling of youth." Therefore, Zhou Yong took over the creative work of this project.


Even if the original author has a strong writing skill, which can make the audience immerse themselves in the story atmosphere quickly, it is really difficult to evoke the text description gently when it comes to the stage of film and television. This is the challenge that Zhou Yong faces, but with his years of creative experience, he knows, "If it is written well, it must be a good project."



A lot of pen and ink in the novel describes Li Kun’s drag, wildness and contempt for everything. From the perception, some readers will feel that he is a very cold figure, and to some extent, it has become a single emotional rush of Zhu Yun. "I can still feel that their love is two-way."



Therefore, in the film and television creation, Zhou Yong made some simple adjustments to Zhu Yun’s personality. She will be a little girl with her own personality and even rebellion. "She has her own persistence and persistence in love, and she also has the desire to accompany and protect her lover. I think this is a rare independent behavior in this girl."


In addition, in plot design, the novel will be more straightforward than film and television works, lacking a lot of emotional bedding.


Therefore, when Zhou Yong created the story frame, he embedded a lot of clues about the characters’ emotions and emotions, because this can’t just be a simple plot pile-up. It is necessary to make each event happen and make the subsequent plot more emotional and explosive. "There are a lot of plots in the first eight episodes of the series that are not in the original."



This kind of addition creation does not stop there.The series "Light Me Up, Warm You" is adapted from the series of novels "Lighter and Princess Skirt". The original work is divided into two parts, namely, the campus story and the workplace story. However, fans who know the original works know that the temperament of the two novels is very different. Except for Li Kun and Zhu Yun, many events and characters are relatively general.


"We should restructure the relationship between characters, improve the structure of drama, and make the two (novels) an organic whole." For Zhou Yong, it is particularly critical to build the story of "Light Me, Warm You" into a world view that suits it.



After all, for him, the drama "Light Me Up, Warm You" is not a so-called "sweet pet drama", but "sweet" is due to the chemical effect of the emotions between the two characters. "I don’t think this is a sweet pet drama, it is more the content of an urban emotion or youth growth, and it is the friendship and love of this group of young people, as well as their youth pain and growth for seven years."


Chen Feiyu and Zhang Jingyi are Li Yi and Zhu Yun.


When Zhou Yong wrote the script, he had a general feeling about Li Kun and Zhu Yun in his mind, but there were no specific characters. When the creative team decided on the actors, Zhou Yong also met Chen Feiyu and Zhang Jingyi.


"Just seeing them sitting together, I think they are basically the same as I thought when I wrote the script." Of course, this similar feeling is not similar in eyebrows and eyes, but more about the temperament of two people.



In Zhou Yong’s eyes, Li Kun is confident, but not ostentatious, but a relaxed, rambling, heartfelt self-confidence and pride. When he met Chen Feiyu for the first time, watching him casually walk in and sit down to talk, "I can feel this (confidence) in him."


Although Zhang Jingyi seems to be very clever, in the process of getting along, everyone found that she had a stubborn state. "That is the feeling of belonging to Zhu Yun."



After several meetings, Zhou Yong and the whole creative team found that their identity had the complexity and versatility of the characters. "Of course, it can’t be exactly the same as themselves, but I can see their strength."


"After" Light Me Up, Warm You "was finalized, there were more than 900 scenes in Zhang Jing Instrument alone. In my previous scripts, the main characters never had so many scenes. In this one, there are basically Li Min or Zhu Yun in every scene."


In the view of this experienced screenwriter, from the script to the film, "I think they will be very hard to shoot, so young, to assume such a heavy role in such a big drama, it is a great test for their performance strength and heart."



Even so, many supporting roles in the series impress the audience. Although they are not the main writers in creation, they are the key to perfecting the characters and enriching the whole youth growth event.


"We want to write a state in which a group of young people have just entered the university, then went to the society and then worked in the society." As Zhou Yong, who also teaches in institutions of higher learning, all kinds of exchanges and communication with students on weekdays have made him find a focus in his creation this time.


Different works have different states.


Liu Junjie, director of "Light Me Up, Warm You", revealed in more than one interview that famous scenes are being filmed every day.But in Zhou Yong’s eyes, it is not a simple matter to make these famous scenes film and television, especially the turning point of the characters in the later stage of the series, and a lot of efforts have been made to embark on the workplace from campus.



The drama series involves a lot of programming content. In addition to the original, there are many accurate descriptions of programming, and Zhou Yong also understands and recognizes the relevant knowledge for this purpose, making full preparations for the following content.


Compared with the front campus, is there a workplace drama behind it?


Zhou Yong denied it. "We prefer to call it the workplace part, because their identity is to enter the workplace and start a business." In the process of creation, he never thought that he was writing a workplace drama or a business war drama. "Their growth in the workplace and the struggle in the shopping mall are the rediscovery of love between characters and the feud confrontation caused by past friendship."



All the plots really serve the growth of the characters of Li Yi and Zhu Yun.This kind of creation aimed at the essence of the story is Zhou Yong’s standard attitude.


This is also the case in the drama Thank You Doctor. Although there are several emotional lines in the story, "But when I was writing, all my previous experience in writing love dramas was useless, because this is not an emotional drama or an idol drama, it is medical drama."



When Zhou Yong wrote, he was very clear about his inner standards for medical drama. "All dramas and suspense come from the extreme rescue of life and death, and the human torture in front of life and death." Even in the drama series, Xiao Yan (ornaments) and Atractylodes macrocephala (ornaments) have made emotional progress, but "I position them as comrades fighting side by side in the emergency department."


Now, "Thank You Doctor" has ended, and the plot of "Burn Me, Warm You" has reached a climax. The current situation of "competition" between the two works has come to an end temporarily. Perhaps for the audience, the creation of this senior screenwriter is not just a simple discussion of the possibility, but a rare concentrated projection of a certain work behind it.


Race against time! She fought hand-to-hand with the virus on the front line against the epidemic.

CCTV News:"Strive to push the recombinant COVID-19 vaccine we are developing into clinical practice and application in the shortest time, and provide strong scientific and technological support for winning this epidemic prevention and control war."

In the recent "News Network" lens, a familiar figure appeared — — Chen Wei, academician of China Academy of Engineering, researcher of Academy of Military Medicine, winner of the 8th China Young Female Scientist Award.

Chen Wei likes to wear neat short hair and a straight suit, giving people a tough military image; But if time goes backwards, no one will think that the careless Tsinghua Student Union is her now. At that time, she worked as the first waitress in Tsinghua coffee shop, set up stalls and held dances. She was even considered by her classmates as the most unsuitable person to engage in scientific research. But it was she who devoted her time and energy to medical scientific research for twenty-nine years, linked her work with collective interests and national interests, and did what she liked.

race against time

On January 26th, 2020, on the second day of the Lunar New Year, 54-year-old Chen Wei led a team of experts dispatched by the army to Wuhan, and quickly put themselves into the work of pathogen transmission variation, rapid detection technology and vaccine antibody development in novel coronavirus.

A few days later, in the tent-type mobile detection laboratory of the Academy of Military Sciences, she and other experts applied the self-developed detection kit and cooperated with the automatic nucleic acid extraction technology, which greatly shortened the detection time of nucleic acid and improved the diagnosis speed. This is one of the achievements of Chen Wei’s team’s scientific research in the epidemic area.

In an interview, Chen Wei said: "With the test of dealing with Ebola and other epidemics, we are better prepared than ever before in terms of talent team, scientific research conditions and technical reserves. I firmly believe that we will win this epidemic prevention and control war."

What impressed Chen Wei when she settled in Wuhan was that she met Zhang Dingyu, the president of Jinyintan Hospital.

In the face of this colleague who is suffering from gradual freezing and his wife is infected with novel coronavirus, but still fighting in the front line, Chen Wei said: "Your deeds have touched me very much."

She can’t forget Zhang Dingyu’s concise reply: "Same to you."

It’s not the first time to face the epidemic.

Chen Wei’s acquaintance with the military medical college looks more like destiny takes a hand. In 1991, when Chen Wei’s teacher asked her to go to the Academy of Military Medical Sciences to buy an experimental reagent, her life track began to really change. That brief contact with the Academy of Military Medical Sciences made Chen Wei deeply impressed by the complete research environment and excellent researchers there.

It has been 29 years since I joined the army. Looking back now, Chen Wei’s eyes are still full of firmness: "From the first day I came to the army, I decided to stay here for a lifetime, because my old-timers are like this. I met many good teachers here and I learned a lot from them. This is the biggest reason why I stayed. I like to concentrate on doing this. "

The female major general who was specially recruited into the army in 1991 has made important contributions to many hard battles such as blocking SARS and fighting Ebola. In 2015, she led the team to develop the recombinant Ebola vaccine, which made the Ebola vaccine independently developed by China obtain the overseas clinical trial license for the first time.

"I am particularly proud that in the days when China and Africa jointly fought against Ebola, we contributed our talents to make China’s vaccine go out and achieve a zero breakthrough in overseas clinical practice." Speaking of such an unforgettable moment, Chen Wei’s eyes were filled with tears. From her eyes, we saw the image and responsibility of a great country behind the scientists.

Anthrax, plague, Ebola … … In the biological field, all kinds of pathogenic microorganisms may become weapons in the hands of the enemy in war, while peacetime may be the chief culprit leading to large-scale epidemic.

Chen Wei’s daily job is to study these "devil" topics. As soon as she thinks that these things may be used in wars and terrorist attacks, which will bring disastrous consequences to the country and the nation, she has a sense of mission and urgency in casting "biological shields".

Many people ask her, aren’t you afraid of being face to face with these deadly viruses every day? Chen Wei said: "I can’t think of any other reason except love." Wearing this military uniform means that all this is what you should do. "

Have a solid backing behind you.

In fact, Chen Wei not only has a shining military medal, but also has a harmonious and happy family.

Chen Wei’s husband gave up the generous treatment in Qingdao for her and came to Beijing alone. From the initial material shortage to the present happiness, Chen Wei and her husband have resisted all kinds of pressures together. Now, there is always a happy smile on Chen Wei’s face, just as she said, "Try to forget your gender at work, highlight your gender in life and do what you like, so as to be a happy woman. This state of life is what everyone should pursue." Happy Chen Wei, she did it.

In the eyes of his father, Chen Wei is serious and rigorous. "My daughter is engaged in a noble and great career, so I want to support her!" When Chen Wei’s father named her, it was because his father liked flowers and plants. Second, in his eyes, although rosa multiflora was ordinary, it had a long flowering period of half a year and had a faint fragrance. Roses, low-key and unobtrusive, can always be in full bloom regardless of wind and rain.

Although it was too late for father and daughter to say goodbye to each other during this expedition, he knew that since his daughter set off, she would race against time to the other side of victory. (Text/Di Chenchen)

President of Stanford University resigned due to academic misconduct.

　　Xinhua News Agency, San Francisco, July 19 (Reporter Wu Xiaoling) Mark teissier-lavigne, president of Stanford University in the United States, announced on August 31 that he would resign from his post as president after the results of a special committee’s review of his academic misconduct were released.

　　In December last year, the Board of Directors of Stanford University set up a special committee to initiate an investigation into teissier-lavigne’s allegations of academic misconduct. After months of comprehensive verification, the Special Committee released a detailed report on the 19th.

　　According to the report, the investigators mainly reviewed 12 papers signed by teissier-lavigne, and in five of them, as the main author, they found conclusive evidence that some members of the laboratory he was in charge of improperly manipulated scientific research data or had problems in experimental operation, which led to major defects in the papers, while teissier-lavigne failed to take necessary measures to correct related errors.

　　Teissier-lavigne accepted the conclusion of the report, corrected and withdrew the relevant papers, and decided to resign.

　　Yang Zhiyuan, Chairman of the Board of Directors of Stanford University, posted on the website of the university that he accepted teissier lavigne’s resignation and confirmed that he would continue to be a tenured professor of biology. The Board of Directors also set up a committee to start the selection of the next president, and appointed Richard Salle as interim president from September 1st.

Passion eulogizes the great national spirit-China writers write poems on the front line of earthquake relief

Special topic: Wenchuan earthquake in Sichuan

Topic: Heroes of Earthquake Relief

　　　　Xinhuanet Beijing, June 14 (Reporter Liao Yi) "We should record this earth-shaking earthquake relief struggle in the form of literature, and show the unity and strength of heroic Chinese sons and daughters in the face of crisis and tell the world." Within more than a week after the Wenchuan earthquake, the Chinese Writers Association organized four China writers’ earthquake relief interview groups, including more than 50 writers and poets, to go to Sichuan, Gansu, Shaanxi and other hardest hit areas to experience life and interview and create. Day and night in the front line, writers and poets were all shocked by the heroes and touching stories that emerged in the earthquake relief, inspired by the national spirit highlighted in this disaster, poured their passion into the pen and wrote a lot of works containing the true feelings of writers, which touched countless readers, brought strong spiritual shock to the people of the whole country and great spiritual strength to overcome the difficulties together.


　　On the front line of disaster, China writers are with the people.


　　　　At the scene of earthquake relief, there are unyielding cadres and masses, people’s soldiers who put people’s interests above everything else, angels in white, who is committed to saving lives, volunteers at home and abroad who are silently dedicated, journalists who record history, and writers and poets who engrave national suffering and spirit.


　　　　Gao Hongbo, He Jianming, Huang Yazhou, Xu Jian, Li Mingsheng, Fang Min … Well-known writers and poets braved the threat of aftershocks and went deep into the disaster-stricken areas such as Dujiangyan, Mianyang, Deyang, Guangyuan, Wenchuan, Beichuan, Anxian, Qingchuan, Mianzhu, Shifang and Pengzhou in Sichuan Province, and interviewed the victims. Writers and poets such as Chen Jiangong, Chen Qirong, Xie Keqiang, Yang Ke, Tian He, Xu Kun, Jiang Wei, Wang Peng, Lengmeng, Sun Jingyan, etc., who went deep into the disaster-stricken areas in Gansu and Shaanxi, cordially visited the local victims and donated money to the local disaster-stricken rural areas and Hope Primary School …


　　　　In these shocking scenes, in those moving places, China writers are dancing. Among the writers who participated in the interview, the oldest is 71-year-old Sichuan woman writer Li Linying, and the youngest is Beijing writer Chun Shu and Hebei writer Chen Weijun born in the 1980s. In this way, several generations of China writers and poets have been close to the motherland, a painful land, and comforted their traumatized hometown with their feelings.


　　　　"This is a rare spiritual and emotional impact; The creative experience of this interview has made me mature. " Several young writers said.


　　Share the disaster, let the creation consciously pay attention to the people’s livelihood.


　　　　"Wenchuan, Wenchuan/At this moment, you make the whole Republic sleepless/sleepless nights/how many people can’t sleep! /So, the President of the Republic issued an order/the Prime Minister of the Republic took the lead/the Republic army marched in the rain/the Republic accompanied Wenchuan to tide over the difficulties! /Race death with speed/People’s safety is higher than the sky! "


　　　　"Today, I bow my head, not to cry/just to kiss the broken land/just to search between the heart and the ruins again/to find the crying of the baby/to find the breathing of the old people/to suck the blood from their wounds/to give birth to the miracle of the next life."


　　　　In a field tent, in successive aftershocks, under the bright or dark lights, first-line writers and poets wrote these hot poems with passion.


　　　　Xu Jian, a military writer, said: "This interview in the earthquake zone has made me more and more consciously return to the position of civilians, taking the whole life as a thought, taking universal values as a banner, and paying more attention to my parents, brothers and sisters." Writer Jiang Wei said: "In this disaster, the party and the people share the same fate, which fully embodies the relationship between fish and water, which has laid the most solid foundation for us to overcome the disaster." Xuanwu, a young writer, said: "Words present power, and civilization is passed down by such a power."


　　　　Whether it’s a writer who goes to the front line to interview the earthquake relief, or a writer and poet who is far behind, blood is boiling at the same time and passion is burning for the same goal! Many writers and poets have picked up pen and paper to sing for the great national spirit shown in the great disaster.


　　The work of blood is in harmony with the land and people.


　　　　"The combination of literature and songs is timely." This is fully reflected in the first-line creation of China writers and poets in earthquake relief.


　　　　Poems to Wenchuan, Carrying a Wife, Mourning: In the Name of the Republic, Angels on the Ruins, Life and Death, China at 14: 28, Flag Flying in the Highland of Life, A Child’s Salute, Let’s Share This Moment … These hot songs from the hearts of China writers and poets are sung through newspapers, radio and television. The earth-shaking truth has moved countless readers.


　　　　At the same time, He Jianming’s Report from Longmenshan, Unyielding Ridge, Qiushanshan’s Breakthrough from the Despair, Tracking: Long Baoping’s Rescue, Jiang Wei’s A Small Town that Surprised Us, Xu Jian’s Mourn of Abundance, Wang Peng’s Feeling New in Destruction, YongXian Quan’s Longnan Diary and Xuanwu’s Dangerous Situation.


　　　　There are many poets and writers who express their feelings in other literary styles. For example, Chen Jiangong and Wang Song created the essays Life and Death Game and Monitor respectively, Xie Keqiang created lyrics such as party member Commando and The People’s Liberation Army’s kindness is greater than the sky, and Chen Weijun created the Yue Opera "There is no way ahead" and the Beijing Opera "Chinese sons and daughters are grateful for each other".


　　　　The fiery front line of disaster relief has aroused the surging creative enthusiasm of writers and poets. Poets Huang Yazhou and Shang Zejun published poetry anthologies "China is so shocked" and "National Mourning: Poems about Wenchuan" respectively, all of which are first-line works in the disaster area. The Chinese Writers’ Association quickly organized the editing and publication of two poetry collections, Symphony of the Heart with a Feeling of the Earth and the Earth, and China: Shocking May.


　　　　"I strongly feel the power of literature, which keeps me awake at night and shocks me all the time, as well as warmth, strength and confidence, so that I can’t wait to go to the disaster area to fight with the people there and share the burden." This is a message from netizens to writers and poets in China.


　　　　Jin Binghua, Party Secretary and Vice Chairman of the Chinese Writers’ Association, said that there are too many people and things in earthquake relief that need writers to express and eulogize. The Chinese Writers’ Association will continue to organize writers to interview and create in the disaster areas, artistically reflecting the heroic achievements of the people in the disaster areas in rebuilding their material and spiritual homes under the leadership of the party and the government, and there will be more good works dedicated to the people of the whole country. The reporter understands that the Chinese Writers’ Association is organizing efforts to carefully edit and publish the anthology of poems, reportage and essays on earthquake relief, and will give them to the disaster-stricken areas to better inspire the fighting spirit of compatriots in the disaster-stricken areas and the people of the whole country.

Editor: Zhang Renhe

Old people and children don’t have smart phones, and they don’t bring social security cards to see a doctor. What should I do？

　　With more and more insured people using medical insurance electronic certificate to buy medicines, many citizens have recently asked, what should the elderly and children do if they don’t have smart phones or can’t operate them, or if the children are in a hurry to see a doctor without their social security cards? On the 8th, the reporter learned from Wuhan Medical Insurance Bureau that the National Medical Insurance APP has opened the function of "Family Account" for medical insurance electronic certificate, which can help family members activate medical insurance electronic certificate on their mobile phones. After the operation is completed, the elderly and children at home only need to take out their mobile phones and call out the medical insurance electronic certificate of family members, so they can help them to see a doctor and get medicine on the code, and they can also inquire about the details of their family’s medical expenses.

　　Buy medicine for medical treatment and realize payment by brushing code.

　　Medical insurance electronic certificate, commonly known as "electronic medical insurance card", is issued by the national medical insurance information platform, with one person and one yard, which is fully applicable to all medical insurance businesses. At the beginning of this year, Wuhan officially realized the full coverage of electronic certificate, a designated medical institution in the city.

　　After the insured person successfully activates the medical insurance electronic certificate, he can complete the medical insurance settlement by swiping the QR code without carrying a physical card when seeking medical treatment and purchasing medicines in the designated medical institutions of our city. Activating the medical insurance electronic certificate can avoid the problems caused by lost ID card, reissued physical card and forgotten password. At the same time, scanning code replaces the tedious process of manual entry twice in the previous charging, and can also greatly shorten the waiting time.

　　According to statistics, up to now, nearly 5 million insured people in Wuhan have activated the medical insurance electronic certificate.

　　"family account"

　　Can bind medical insurance for family members, electronic certificate

　　According to reports, at present, the "Family Account" of electronic certificate Medical Insurance has been officially opened. Download the "National Medical Insurance Service Platform" APP, bind the "Family Member Sub-account" on the medical insurance electronic certificate, and collect the medical insurance electronic certificate for the elderly and children who don’t have smart phones. This is the "family account" of the medical insurance electronic certificate.

　　According to reports, a maximum of five people can be added to the "family account" of electronic certificate Medical Insurance, and the relationship is two-way. The same insured person can add family members or be added by family members. The "family account" only requires family members to participate in medical insurance, and does not require insurance in the same city.

　　"Family account" is different from "family mutual aid"

　　At present, our city is deeply promoting the establishment of a mutual aid guarantee mechanism for employees’ basic medical insurance outpatient service according to national requirements, and at the same time reforming the personal account reform of medical insurance. After the implementation of this reform, the scope of personal accounts for medical insurance will be broadened and family members will be allowed to help each other.

　　Special reminder is, "‘ Family account ’ And ‘ Family mutual aid ’ Not the same thing. " The medical insurance electronic certificate contains information such as the name, gender, ID number, photo and social security number of each insured person, and implements "one person with one code". Just like the ID card, it is limited to my real name and must be "special code for special use".

　　"Family account" is to help family members to activate electronic certificate to apply for medical insurance. When they see a doctor, they can take out their mobile phones to show their family members’ medical insurance electronic certificate, so that they can realize the application of exhibition code, instead of buying medicines, settling medical expenses and inquiring about medical expenses, and it does not involve the issue of giving funds from personal medical insurance accounts to their families.

　　Reporter Hu Qiongzhi

　　Correspondent Zhang Chunyan Sun Jianbin

New progress in ＂Xuzhou Fifth Ring Road＂! The jacking construction of Jinghang Canal Bridge on Xuzhou Outer Ring Highway (southeast section) was successfully completed.

　　The "Xuzhou Fifth Ring Road" that Xuzhou people have been paying attention to has made new progress. At 11: 08 am on July 14th, one of the most critical nodes in road engineering — — The 127.6m-m-long steel truss girder of the Beijing-Hangzhou Canal Bridge in Jiawang is precisely pushed into place, which indicates that the jacking construction of the main bridge of the Beijing-Hangzhou Canal Bridge has been completed, which means that the Xuzhou Outer Ring Road has taken another big step.

　　It is understood that Xuzhou Outer Ring Road "S003", also known as the Fifth Ring Road, has a total length of 135.2 kilometers, connecting eight regional cities such as National Highway 310, Provincial Highway 322, National Highway 104 and National Highway 206. This Beijing-Hangzhou Canal Bridge is the reconstruction project of Xuzhou section of National Highway 206, and it is also an important part of Xuzhou Outer Ring Road (southeast section). The total length of the bridge is 500.76 meters, and the main span of the canal is 127.6 meters. The whole main bridge is made of variable height steel truss, which is built by jacking technology, which is the first Beijing-Hangzhou Canal Bridge in Xuzhou. During the construction period, the project department organized experts to conduct comprehensive monitoring and mechanical analysis, and took corresponding technical measures in time to ensure the quality and safety of the main bridge jacking construction. It took about one month to accurately jack the main beam weighing 2700 tons into place.

　　According to Zhang Chun, executive manager of Bid Section 1 of National Highway No.206, after the successful jacking of Beijing-Hangzhou Canal Bridge, ancillary works such as erection of approach box girder, lifting of main bridge deck and bridge deck system will be carried out, and the project will be completed by the end of September.

　　Xuzhou, the national highway 206, changed its route from the north of Jializhuang, Jiawang, the original national highway, to the southeast, and then passed through Jiawang City. After crossing the Bulao River and the Beijing-Hangzhou Canal, it entered tongshan district, passed through Xuzhuang and Lvliang Scenic Area, and turned west at the east side of Zhangji Town, ending at the intersection of Sanbao South National Highway 206 and Beijing Road, with a total length of 68.53km. This project adopts the standard construction of the first-class highway, with the designed driving speed of 100Km/h, two-way four-lane and bridge and culvert load grade highway — Level; The subgrade is 26m wide.　　

　　Yang Gang, director of the Contract Department of the Engineering Department of Xuzhou Outer Ring Highway Construction Headquarters, told the reporter that the outer ring highway has entered the asphalt pavement construction stage in an all-round way, and it is expected that the outer ring highway will be completed by the end of the year except for the iron-related projects. After the whole road is opened to traffic, it is estimated that it only takes 30 minutes to drive from Lvliang to Jiawang. The Beijing-Hangzhou Canal Bridge is an important node and difficult project of the Outer Ring Road. The successful jacking of the main bridge has taken another big step for the completion of the Outer Ring Road. After the outer ring highway is fully completed, it will further optimize the regional road network layout of Xuzhou, promote the orderly development of the city, and promote the all-round development of the plots, which is of great significance to improving urban traffic and consolidating Xuzhou’s position as a transportation hub.

　　(Source: Wireless Xuzhou)

Mikan Ryu didn’t choose ＂Sister Riding the Wind and Waves＂ again, and then sent a small composition, but she was squandered and sold badly.

As soon as Sister Braving the Wind and Waves 4 was broadcast, Mikan Ryu, who once played Yan Lili, the little black magic fairy in Balala, went on a hot search, which triggered a heated discussion. History is always surprisingly similar! Why do you say this? Because she also went on a hot search when "Braving the Wind and Waves 3" was broadcast. She went to the hot search twice for the same reason-she was not successfully selected to participate in the variety show.

What we see in the entertainment circle is actually more success, because in the vast sea of people, only success can be seen by everyone. Therefore, it is very rare for artists like Mikan Ryu to "fail". Let’s briefly review her early experiences.

In 2009, Mikan Ryu made it into the top 15 of Super Girl, which can’t be said-it’s not good enough, and many people can’t reach it. But to say yes, it is not as good as the first place and the second place. In 2010, she participated in the women’s team debut and also participated in South Korea’s MAMA. Being a women’s group is popular now, but it was only in its infancy at that time, although their works and stage quality were good at that time. Later, the team ended in failure.

Last year, she experienced two major failures, one was the failure to take the postgraduate entrance examination, and the other was the failure to be selected as Sister Lang. Mikan Ryu herself said that it was a great blow to her. Fortunately, Sister Lang was not only held for three years, but also this year. Surprisingly, Mikan Ryu failed again this year. In this way, she has failed many times in just over 30 years.

In addition to her little black magic fairy and failure, Mikan Ryu loves to write things to express her feelings, which is also one of her characteristics. This time, she was not selected successfully, so she sent a short composition in Weibo to express her feelings. The small composition is the same as the previous response that I failed to be selected for the first time and that I failed to take the postgraduate entrance examination. The number of words is quite large. But when she sent a small composition before, she received almost all the support and encouragement, and this time there were some voices of spitting.

The content of this essay is also quite rich, and the language is plain and fluent, but there are many good sentences and true feelings. There are still several expressions and events in it that are quite impressive. For example, she even prayed to God for this interview with Sister Lang, which is enough to show her attention to this program and inexplicably makes people feel sad.

As soon as this little composition came out, it triggered a heated discussion among netizens. Encourage and praise her, so encourage and praise her, for example, her writing is good, for example, she is sincere, and some people express sympathy and regret for her failure.

But those critical voices focused on the purpose of Mikan Ryu’s essay. "Is it necessary to send a short composition every time I fail?" "Is this selling bad eyeballs?" "I thought she was pitiful at first, but when the short composition sold badly, I felt bad …" Yes, many people are wondering if Mikan Ryu is trying to use the attention of netizens to send herself to next year’s wave sister.

However, the author thinks that it is understandable for Mikan Ryu to post this blog post. First of all, we can find that Mikan Ryu is a person who loves to record her life and is willing to express herself on Weibo, so it is not surprising to express her feelings after meeting a failed thing.

Secondly, the content of this Weibo is really sincere, and the sentence is beautiful and connotative. We can learn from it that we can meet difficulties and setbacks, be sad but accept it peacefully, and never give up the positive energy of progress.

Finally, what if there is a purpose? Mikan Ryu itself is very suitable for the positioning of Sister Lang, who can sing and dance, and has worked as a women’s group. Many people are still looking forward to her being on this program. Proper selling is miserable, and if it can achieve the goal of not being excessive, this is also a means that can be taken. But we must not criticize insincerity just because her words are full of emotion and look more emotional.

In other words, some people always complain that there is no "living person" in entertainment. Weibo of some star idols is full of business endorsements and drama announcements. Isn’t it the representative of "living person" that Mikan Ryu can publish such thoughtful Weibo content? On the one hand, everyone criticizes that star artists are so aloof and unwilling to talk to fans, and on the other hand, they suspect that the artists who do so are purposeful and utilitarian. We should not be so harsh.

In a word, it’s a pity that Mikan Ryu didn’t choose Sister Lang this year. I can only hope that we will not see such a small composition next year, but that she will be successfully selected as Sister Lang and can see her experience in the Weibo.

Louis Koo teamed up with 10 companies to make anti-epidemic films to help grassroots filmmakers.

1905 movie network news　Recently, according to Hong Kong media reports, Louis Koo, as the president of the Artists Association, will jointly invest HK$ 3 million in 10 film and television companies including Emperor, Shaw and Universal Asia, and also grant another HK$ 9 million to the Film Development Fund, totaling HK$ 39 million (about RMB 36 million). The money will be used to start anti-epidemic films and raise money for grassroots film workers.


According to the report, the film will be directed by Gu Dezhao, who once wrote the film and co-produced it with Stephen Chow. In addition, director Guo Zijian and director Hing-Ka Chan will also join the co-director.


The film will be filmed in a short time, and all the actors participating in it will be benefit performances. At present, Chilam and Zhang Jicong have confirmed their performances, and the remuneration of the actors will also be donated to the grassroots, with a maximum of HK$ 9,000 per person.


Huang Baiming, the owner of Oriental Film, confirmed this when interviewed by the media. He said: "Our 10 companies are jointly shooting, and the money is donated to the Artists Association, which will handle it and send it to the grassroots film workers. Louis Koo will be responsible for the donation, and the list of actors will be announced soon."


In this regard, Louis Koo also said: "Thanks to the kind-hearted people who have donated money in this support program, and everyone who has contributed. Through this action, the whole industry in Qi Xin will work together to support each other, hoping that donations can help those in need in the industry to solve their urgent needs. In the next days, everyone should continue to support each other, persist together, and spend this adversity together. "


It is reported that Louis Koo has been engaged in low-key charity for many years, which has been unanimously recognized by both inside and outside the industry. Its "Louis Koo Foundation" is committed to funding the construction of Hope Primary School. By 2019, 104 schools have been built.


In February this year, Louis Koo also donated 1.3 million masks through the Foundation to help people tide over the epidemic smoothly. Being called a "low-key philanthropist" by fans deserves it.


Looking for ＂body language to express human spiritual life＂

　　French writer Gide said: "Reading Dostoevsky is a lifelong event." Russian Aveman Ballet brought brothers karamazov to the 3rd China International Ballet Performance Season, which is a great event for the literary youth, opera fans and dance fans in Beijing.

　　Efman, who makes drama ballet into "contemporary"

　　Since 1980s and 1990s, Boris Efman has achieved the status of a world-class choreographer with his fiery psychological rendering. St Petersburg Aifman Ballet is also unique because of its "high altitude", high value and high ability in casting. It is precisely because of the excellence of the Evmanba Troupe, especially the joint efforts of choreography and performance, that Russian contemporary ballet quickly leaps to the forefront of the world, which not only contributes to the revival of Russian ballet culture on the world stage, but also represents a kind of "rebirth" of ballet.

　　There is a peak of literature or drama, but are you afraid that you can’t dance on the plateau of ballet? Of course not. For hundreds of years, although the development of ballet has something to do with the development of drama, it can’t be copied. Just as opera ballet in 18th century can’t copy the principle of "three unifications" of drama, the decline of Soviet drama ballet in 20th century is due to the mechanical application of "stanislavski’s drama system". One-sided pursuit of the story, ignoring the role of music and dance itself, no matter how vivid and true the "experiential school" pantomime is, it can only make the road of ballet more and more mediocre, and make the promising drama ballet become a pantomime ballet that "forbeares not to talk" and eventually end in the road. However, the concept of "psychological realism" in creation and performance is a feature of Soviet drama ballet, and the combination of actors and roles is also a magic weapon that Afman inherited. Therefore, in "brothers karamazov", Maria Abashova, the imperial heroine of Evman, bid farewell to the elegant and lonely Anna, and lived in the role of the integration of spirit and body in Glosinka, which makes people sigh, and the contrast is great! Of course, psychological ballet is also the credit of Russian psychological drama, which plays down the external plot and takes the inner world of the protagonist as the main performance space, so that the soul can stimulate a sharp edge in the collision.

　　Aifman inherited the exquisite tradition left by the predecessors and realized a thorough transformation. It is also quite important: Iveman turned the power of Russian classic literature into his own style — — Of course, there are also "ancestors" to explore the road. Just when the Soviet Union gave up drama ballet and found another way to create "symphonic ballet", the "modernity" in Russian literature ignited the inspiration of German drama ballet in the 1960s, among which the most famous masterpiece was the dance drama of the same name adapted from yevgeni onegin, the foundation work of Russian critical realism literature. The cooperation of duet, solo, four-person dance and group dance made ballet a wonderful combination of psychology, ideas, emotions and staged drama.

　　In the contemporary ballet stage, "expressing the human soul through dance", not just "telling a story by dance", has become the common aspiration of many outstanding contemporary dance masters. Both "human" and "soul" are key words that can not be ignored. It emphasizes the possibility of exploring human commonality and individual particularity with body language and realizing the work across time and space. Different from many European choreographers’ post-modern expansion of the classic "using the title to play", Evman still uses Russian literature as the medium to bring drama ballet into the "contemporary" field of vision. In the face of classics, Chinese accepted the re-creation of "respecting the original", not to mention Russian literature and Soviet literature, which once accompanied a generation of young people. Perhaps this is one of the reasons why Evman’s psychological ballet is gradually widely accepted in China.

　　Evman created the polyphonic ballet.

　　In the dance world of Evman, ballet is still beautiful, but the focus is not on beauty, because ballet has become a means for the role and audience to meditate together. If in many modern drama ballets, you can still tell the difference between performance dance and emotional dance, and you can also find dancing pantomime in it, then in brothers karamazov, not only the beautiful "plug-in" dance segments are excluded from the drama structure, but also the pantomime actions that generally explain the nature are avoided as far as possible, and the design materials of actions and gestures are basically abstract, leaving only essential dramas such as kissing, fighting and throwing money. The "psychological ballet" pursued by Evman is to find "a body language that can express the spiritual life of human beings", and the most attractive feature of Tuo’s novels is his philosophical exploration of the dark and profound mind.

　　Structure determines the success or failure of contemporary dance drama. The ballet version of "brothers karamazov" did not show the disastrous events that followed, nor did it rely on the ups and downs of the plot, but grasped the key plot line of "lust struggle". Therefore, the four fathers and sons and Grushenka, who is an angel and a devil, are the heroes of the play. As for the two dead wives of old Carla Matsov and the real murderer in the novel — — Another illegitimate child, as well as the eldest brother Dmitry’s fiancee, monastery elders and other roles have been hidden. Aifman is not just recreating a criminal investigation story of "killing his father" on the stage. He needs to think about how the main characters on the stage make this story happen, for example, he can’t "mime" the process of killing his father, or build a scene of court trial … … But let the story happen in the interweaving and conflict of ideas. In fact, we don’t know who the real murderer is, because the killing scene in the ballet is an abstract expression, and everyone is involved in it, and it is impossible to escape the guilt of "conspiracy". The cleverness of Efman is reflected here. Everyone in the play is suffering from complex and intense psychological torture. Like Tuo’s novels, the idea of the protagonist in the dance drama must also be the idea of the protagonist’s thoughts, and the setting of the relationship between the characters must also be reflected in the interweaving of thoughts.

　　We might as well use Bakhtin’s "polyphony" orientation to describe this dance drama — — Brothers karamazov is like a polyphonic ballet. In other words, there are no male and female leading actors in the drama, and the "spiritual world" of the protagonists is not completely controlled by the director. They are all independent individuals, and they are in contact with each other in the "dialogue". It’s just that the ideological duality of all the protagonists is not fully displayed in the dance drama. For example, Dmitry is simplified as a young man who falls in love with a romantic woman. Because of the lust struggle with his father, he becomes the biggest suspect in the "father-killing" incident and suffers a lot. Alesha, the youngest son, is the first hero to appear in the dance drama and the last curtain call. He is a devout believer, but he was once caught in a crisis of faith and was tempted by Grushenka. Later, Alesha’s heart fought fiercely, and his group dance with his multiple avatars showed us the cracks in his heart. But Efman did not show the reason why Alesha was caught in the crisis of faith.

　　Unlike anna karenine and Rodin, which Iveman brought twice before, love is no longer the core theme of the ballet version of brothers karamazov, but it is also an indispensable episode. Moreover, in this male-dominated dance drama, the actress’s scenes are often the highlights. Grushenka loves money more than men, and the only heroine is also the key to stirring up the tragedy. However, her greatest charm is not the romantic sex appeal that fascinates men, but her self-reflection. Therefore, in the second act, Efman made her dressed as a plain clothes bribe the prison guards, and danced a "behind bars duet" with Dmitry in desperation. The sincere love overflowed from the gestures, which was touching, which was in sharp contrast with the image of her flirtatious trampling on Dmitry and Alesha in the first act.

　　Before the performance, the only thing I am sure of is that this work must be more than just a dance drama with a pair dance of love to express its expression. Sure enough, father-son duet, four-person dance, brother solo dance, two-person dance and three-person dance made the upheaval special. The connection between dance segments often happens inadvertently, which shows that Aifman has made dramatic arrangements for the undulating internal structure of a piece of music — — The music continues, but the dance space has moved. Alienated father-son affection, fraternal affection, death, suffering, meaning of existence, fighting between good and evil, morality and religion … … In the uninterrupted dance space, they are twisted together, forming a big net of human self-test. Sometimes it makes people’s emotional, and sometimes it makes people hold their breath.

　　The ingenuity of music, lighting and dancing.

　　Crazy and wanton old Carla Matsov came in a trailer and was dragged by several prostitutes, which broke the silence of the three brothers shrouded in spiritual hymns. The music invaded so overbearingly, indicating that Iveman was "abnormal" in music setting this time. In the first act, the gorgeous Glossinka appeared with the folk songs of Tzgang style, and the manic and exaggerated brass instruments happened to be a portrayal of my father’s indulgence in life. At the end of the second act, when the music was suspended, Alesha returned to vulgarity among the people. The ethereal soprano singing in the play seems to come from the depths of the souls of three sons. In terms of music structure, this dance drama is often accompanied by such a sudden change in painting style. Although the styles of Wagner, Musorgskiy and Rachmaninov are "incoherent", they just show such a split and complicated family atmosphere. Similarly, the lighting of the dance drama is unpredictable, and the light and shade change quietly, and the scene of wanton dancing instantly evolves into a son’s monologue, or separates the different spiritual worlds of the protagonists.

　　The stage design of Efman’s works is simple and full of multiple symbolic meanings. A covered bridge, which is set up by the spiral staircase leading to the cross, is sometimes a romantic place for feasting and sometimes a big iron frame like a prison; The big net stretched out from Alesha’s body, the rope that tied Dmitry in the air and the child’s "skipping rope" went to his father’s hand, but it became a whip to Ivan, the pistol that split Ivan’s personality … … Are permeated with a burst of coolness. There is also a long table with erotic drama, which is also an important connection between father and son, and eventually becomes the only witness of the murder case, which makes people feel scared.

　　Literature gives dance power.

　　Of course, Efman is more interested in why this story happened. Although this deformed story of "coupled family" caused by social transformation is extremely special, the thinking of the characters in the play is also a problem faced by modern human beings. The dialogue between God and soul, which seems to be detached from the plot, actually influences the behavior of the characters.

　　In the ballet, except that Alesha is dressed in a black and white robe of a monk, Dmitry and Ivan are dressed like two contemporary youths. On the whole, the images of Ivan and Alesha are full, especially Ivan. What impressed people was several duets between Ivan and his brother. In the first act, he first had a spiritual "conversation" with Alesha. It was a "men’s duet" in which three people danced, and the one who was more was the incarnation of a holy angel. Paradoxically, the ugly old father even spared the "angel". Later, his duet with Dmitry began Ivan’s "dialogue" mode.

　　In the second act, the duet and group dance of Ivan and Alesha are intertwined, and the voice-over becomes an important element. Those group dancers dressed in prison uniforms repeated Ivan’s mechanical movements and surrounded him completely. Although the body texture of the "prisoners" became soft and comfortable by accident because of Alesha’s inspiration, Ivan resolutely dominated the dialogue between them in terms of physical relationship, just like the "religious judge" in the original novel talking to the silent Jesus. Bread or freedom? In the face of Ivan’s strength, Alesha just silently kissed Ivan on the forehead, but it has the power to moisten things silently. Contrary to many male dancers, Fisher, the actor who plays Alesha, is not a tall and powerful dancer, but more convincing. Perhaps it was this kiss that made Ivan after him re-examine himself. He continued to manipulate the "prisoners" who lost their freedom and repeated forceful actions, but the occasional tremor was very obvious, and finally he stumbled and fell. On the analysis of Ivan’s heart, Evman kept the most discussed and famous literary fragment in the book. The strength of this dance comes more from the literature itself. I wonder if this is a pity or a blessing?

　　There is another scene in the play that is meaningful. Dostoevsky once deliberately emphasized the beauty of children’s hearts in his novels. In the first scene, an innocent girl plays a skipping game, but can these simple beauties really stop evil? What is terrible is that this rope that brings happiness turned out to be a whip waving on Ivan. Ivan’s mind has the creed of "doing nothing with evil", and his "duet" is his dialogue with demons. Due to the absence of the illegitimate child, the dance drama did not clearly show who was the real murderer, and this "duet" pointed the murderer at a doppelganger of Ivan. In any case, he could not escape the guilt of instigation and incitement.

　　Finally, the three brothers who warmed each other with love and Gloucesinka reached the same goal by different routes, and they all went to the road of self-salvation and approached the spiraling cross one after another. These miserable souls are willing to tear the wound open for us to see, even though the fester is still bleeding and pus, they still have to expose Lu Xun’s so-called "true whiteness hidden under that evil" … … Dialogue with Ivan is the key to Alesha’s spiritual transformation. In redemption, love and goodness are eternal. But the whole viewing process is full of confusion, circuitous and anguish. I think, Iveman succeeded.

Looking back on Bauhaus in the past century： Modernism is still flourishing in Berlin and Germany.

Bauhaus, a design school integrating architecture, design, handicrafts, painting and sculpture, was established in Germany in 1919. It was a gathering place for many pioneers with revolutionary ideas at that time. Bauhaus’s thoughts and aesthetic tastes have influenced a generation.

In 2019, as Germany celebrates the centenary of Bauhaus, the German government will open new museums in Weimar and Dessau, where the Bauhaus school was once located. Strolling around Germany, Bauhaus is still thriving.

In April 1919, Weimar, a small town in the hinterland of Germany, welcomed an experimental school of architecture and art education. The founder and first president Walter Gropius named the school after the German word Bauhaus, and Bauhaus College, the birthplace of modernist architecture, was born.

At the beginning of the year, Bauhaus released the official commemorative logo of the 100th anniversary. Two new Bauhaus museums will be opened this year in Dessau and Weimar, the former school sites of Bauhaus. The other is the Bauhaus Archives, which is being rebuilt in Berlin. In line with the centenary activities of cities throughout the year, the German Tourism Bureau calls itself the "birthplace of modernism", which is very attractive to cultural tourism lovers.

Bauhaus centenary logo

Various posters for Bauhaus’s centenary activities.

Bauhaus is an ideal school of architecture and art. The most famous thing about Bauhaus is its functional design concept, which is completely different from its image in the first few years, but it also makes Bauhaus a brand-not just a school. The brand advocates industrialization and mass production, which is part of the modernist movement.

Of course, Bauhaus is also the epitome of an era.

Weimar Bauhaus

Under the heavy sky, the low-rise residential areas in Lufthansa, Berlin can’t be called beautiful. They were built in the late 1950s to revive areas that were razed to the ground during the Second World War. They are square. Here, the garden is exposed and the skeletons of trees can be clearly seen. But when we look up, we see maintenance and pride. Intelligent furniture can be seen from the big window. Our eyes wandered on the smooth white building designed by Finnish architect Alvar Aalto, and then went down to the ground, where we saw some single-story atrium houses designed by Danish designer Arne Jacobsen. The large column-supported building designed by Oscar Niemeyer is full of sunshine and space.

Walter Gropius, the first president of Bauhaus.

There is a concave "flat" residential area named after Walter Gropius. Gropius is an architect of Bauhaus in the world, and Bauhaus is one of the most influential schools of art and design in the 20th century.

In the Bauhaus Declaration in 1919, he declared: "Let’s look forward to, conceive and create new buildings in the future together, and use them to combine everything-architecture, sculpture and painting-into a single form. One day, he will ascend from Ran Ran to heaven from the hands of millions of workers, which symbolizes the new belief in the future as crystal clear as a crystal."

Bauhaus Declaration, Gropius (text), 1919.

Without Bauhaus, Lufthansa-style social housing and modernism as we know it would not have happened.

This year, many German regions and towns are celebrating the centenary of Bauhaus. The commemorative activities include exhibitions, lectures, performances, workshops and even "blind dating" of artistic dialogue. Although Berlin will become the center, there are Bauhaus buildings all over Germany, and the legacy of the movement extends to Chicago, Tel Aviv, S? o Paulo and Melbourne.

From 1919 to 1933, although Bauhaus only lasted for 14 years. But in these 14 years, Bauhaus initiated a truly modern way of thinking about art and crafts, public sphere, urbanism and the combination of form and function.

Bettina Güldner, an art historian and curator who studies Bauhaus, points out that Gropius’s ideas have influenced shopping malls, churches, office buildings, Berlin Air Transport Memorial Hall and even hotels in Berlin. Berlin has six modernist manors listed as World Heritage by UNESCO. The ADGB trade union school in Bernau, 10 kilometers northeast of the city, is listed on the UNESCO list because of its dual importance to Bauhaus and "classical modernism". They are simple, neat and elegant, and have pride and open belief in the use of modern materials.

"They don’t need embellishment or overcrowding," says Gulner. Buildings can be newer and better, instead of copying anything that already exists. The birth of beauty lies in finding a solution to the problem: that is,’ what is useful?’ .。 "

Poster of Weimar Bauhaus exhibition in 1923.

Weimar is located 280 kilometers southwest of Berlin. The founders of Weimar Republic met there (also in 1919). In Germany after World War I, the city was politically neutral. They hope to get the spiritual guidance of Weimar intellectuals, including Goethe, Schiller, Nietzsche and Liszt.

In 1919, Bauhaus was at least as revolutionary as republicanism. But this is not an imaginative leap. The old city is solemn and serious, with 12 main buildings in Baroque style, which are listed as "classical Weimar" by UNESCO. Not far away is Haus am Horn, a groundbreaking "white cube". The first Bauhaus exhibition was held in this building in 1923. This modern "test building" is low and flat, with flat walls and monotonous colors. Now it has been listed as a world heritage.

Haojiaowu

Weimar’s Bauhaus trip needs to return from Gropius to Belgian architect Henry van de Velde. He is the core figure and leader of early Belgian design movement and an important pioneer of modernism. With his innovative design, he added the Arts and Crafts School (which has now become a university) and the private residence Hauhohe Pappeln to Weimar.

You can visit the website of Bauhaus, but students of Weimar University also offer guided hiking several times a week (starting from 4 euros). On April 6th, the new Weimar Bauhaus Museum opened next to the exaggerated Nazi-era building Gauforum.

In the century after Weimar founded Bauhaus, the success of Bauhaus furniture lies in that it has become so ubiquitous and invisibly integrated into our life background. Ludwig mies van der rohe’s Barcelona chairs decorate every corporate hall, as do the spherical lights designed by Max Bill. Bauhaus continues to influence every aspect of our lives in ways that we don’t even notice, from bookshelves, kitchen utensils, road signs, tableware and so on.

Bauhaus school building in Dessau

With the advent of the 1920s, Weimar became more and more conservative. In 1925, Gropius moved Bauhaus to Dessau, 130 kilometers northeast. As the location of Junker aircraft factory, the city has a long tradition of industrial design. The Bauhaus movement also reached its peak here. The headquarters of the movement can be reached within walking distance from the main station in Dessau. The whole building is made of glass, steel and concrete, which is the Bauhaus school building. Entrusted by the city, this building was designed by Gropius and built in 1925-1926 to accommodate all departments of a school, teaching courses ranging from furniture design to architectural design to typesetting, covering all aspects.

Gropius and the masters of Bauhaus are on the roof of Dessau school building.

Kandinsky’s course

Today, the exhibition space of this building is small, but it is very brilliant, with carefully edited silent films telling the story of Bauhaus. At the same time, the exhibition runs through the main innovative designs of Bauhaus. The names of Paul Klee and Wassily Kandinsky are familiar to everyone, but Hannes Meyer and Laszlo Moholy-Nagy are highly respected in the design field. (Note: In 1928, Gropes resigned as principal of Bauhaus, and was succeeded by Hannerz Meyer, head of the Department of Architecture, and Laszlo Mohori-Naji was a teacher of Bauhaus. ) Pioneering lamp and furniture designs were displayed in the adjacent exhibition hall, and the cardboard model of the building also presented an abstract form. Some photos of theaters and music parties show that the Bauhaus era was full of avant-garde and commitment to craftsmanship.

Hannerz Meyer, the second president of Bauhaus.

A group of ordinary white concrete buildings nearby are made of glass and gray steel. These seven "Masters’ Houses", once the address and studio of Bauhaus teachers, are now exhibition spaces and studios for artists. Outside the city are five deck-access houses designed by Hannerz Meyer, which are important early examples of community housing and public space. Of course, there is also the Bauhaus-style restaurant Kornhaus, which serves non-minimalist bar food.

"Masters’ Houses"

"Masters’ Houses"

Bauhaus store is undoubtedly a happy place, where you can easily spend 100 euros on derivatives such as cups and luxury pencils. Dessau will open a new museum later this year: the Bauhaus Museum in Dessau will open in September, with enough space to display more than 49,000 pieces of its collection. Today, Bauhaus will continue to open, and the hotel area has been re-paved, and fanatical fans can rest in a cellular double-decker room. Anni Albers, a famous German textile artist, once lived here.

During the Dessau period, Bauhaus’s teaching method adopted the viewpoint of paying more attention to the industry, giving up the workshops of wood, stained glass, binding and pottery, and supporting the state of "work and study" instead. Students will be engaged in productive products and sales. For example, geometric chess designs like Josef Hartwig are so popular. Students have also become craftsmen who fulfill orders. As time goes on, schools become more and more proficient in business.

In 1929, Ludwig·The Barcelona chair designed by Mies Van Derro and Lily Reich.

Chess designed by Joseph Hartvig.

The last frame of this silent film in the Bauhaus school building was named "The Last Party". In September 1932, Bauhaus, led by Meyer, expanded from artistic radicalism to political radicalism, which made Bauhaus face more and more political pressure. Finally, Meyer himself had to resign in 1930 and be succeeded by Mies van de Rohe (1886-1969). Meese, who took over, faced the pressure from Nazi forces and finally moved the whole Utopia project to Berlin. But in the end, Bauhaus only lasted seven months in Berlin.

When the school moved to Berlin, Bauhaus shifted his focus to architecture and interior design. Bauhaus has had a great influence on our view of home. Together with his partner Lilly Reich Zu Ki, Mies Van Derro put forward the idea of an open home space, in which the areas in the home are separated by hanging fabric curtains and movable partitions. In 1930s, with the promotion of exhibitions and publications, the open idea was imitated by countless architects in the rest of this century, and it is still the way of life today.

Ludwig Mies van der Rohe

Paradoxically, 14 years after its founding, the closure of Bauhaus ensured its lasting success. After the closure, the myth of Bauhaus only increased, because its tutors and students were scattered all over the world, spreading their ideas. Everyone claimed that they were the original legal heirs. In the past 100 years, its influence has been more obvious all over the world than ever before, and the Bauhaus brand has also won the ultimate victory.

New Bauhaus Museum in Dessau, Oscar Schlemm’s Dancing in the Glass.

In Berlin, the main collection of Bauhaus is the Bauhaus-Archiv designed by Gropius in Tiergarten. At present, this archive is being closed for renovation, which will last for four years. The official reply is: "In order to celebrate the centenary of the establishment of Bauhaus in 2019, the Bauhaus Archives/Museum is undergoing renovation." In this regard, many foreign tourists expressed dissatisfaction with this. The "temporary exhibition" turned out to be a small shop near the zoo station.

This year’s Germany is undoubtedly suitable for Bauhaus-themed travel. There are related architectural landmarks in Thuringia, erfurt, Guerra and Jena. Cities such as Bremen, Frankfurt, Hamburg and Mü nster also have houses, factories, dams, foundries and garages built by modernists influenced by Bauhaus.

In contrast, Bauhaus is not just a movement of the past; It is a force today, providing nuanced insights into German life and art. In art books, modernism is usually considered rootless, but what we now think of as "new" mostly comes from Dessau and Weimar.

"I think Bauhaus is a very German phenomenon," Bettina said. "Our industrialization time is very late. Bauhaus responded to the need to re-educate craftsmen and catch up with Britain and France. The first world war destroyed the nationalism of the empire. 1919 is a new dawn. "

In 1926, a woman wearing an Oscar Schlemmer drama mask sat in Marcel Brewer’s B3 chair.

"Bauhaus: Centennial Exhibition" will be held at the Museum of Modern Art in Berlin from September 6, 2019 to January 27, 2020.

"The Migrating Bauhaus: Berlin Is Still Not Dead" will be held at the World Cultural Palace in Berlin from March 15th to June 10th, 2019.

"Henry Van Derfeld: Pioneer of Modernism Crossroads" will be held from March 15th, 2019 to January 15th, 2020 at the Gra Museum in Germany.

"Oscar Schirmer: Bauhaus and the Road to Modernity" will be held from April 28, 2019 to July 29, 2019 at the Gotha Museum in Germany.

Attached:

Bauhaus: A Classic of German Modernism

flughafen berlin tempelhof

The Nazis condemned the cool contemporary architecture as "depravity", but the architect Ernst Sagebiel, a party member, did not hesitate to integrate modernist features with monument details when designing this iconic airport terminal. Since 1936, due to the war, it has never been completed, but its natural stone appearance is still shining, and its interior is full of lyricism. The airport was used during air transport in Berlin and closed in 2008. Some parts are used as refugee camps.

Fagus factory on the Rhine

In 1911, Walter Gropius and Adolf Meyer jointly designed the Fagus factory. Fagus Factory, located in Alfeld-on-Lena, Lower Saxony, is one of the earliest modern architectural works and the first major project in Gropius. This world heritage has inspired thousands of British factories, towers and public schools.

Dresden, German Health Museum

In February 1945, nearly 4,000 tons of bombs were dropped on Dresden in just three days. This is a rare modern survivor. The German Health Museum was designed by the architect Wilhelm Kreis from 1927 to 1930. Its most important style is new objectivity, which tries to emphasize its functionality, weaken its characteristics and oppose over-expressionism.

Leipzig, Guerra Museum

Leipzig is famous for its Renaissance and Baroque core. At the same time, Leipzig also has important modernist buildings, including suburban houses and churches in the 1920s, striking museum buildings and enlightened urban planning. No visitor will miss the complex of Guerra Museum. They combine new objectivity with artistic decoration.

Turbine Workshop of General Electric Company, Berlin

The turbine workshop of General Electric Company was built in 1908 and designed by architect Baehrens and engineer Karl Bernhard. It is considered as the first successful application of modernist style elements in industrial buildings. Glass and steel are used to replace stones and chisels, and their functions or forms are clearly seen by the public. Contemporary people call it "machine cathedral".

(This article is synthesized and compiled from "100 years of Bauhaus: Berlin and Beyond" and "Bauhaus: 100 years old but still in our homes today" in The Guardian.)